AN ANGOULEME AWARD WINNER RETURNS WITH A PARABLE ABOUT LIFE IN THE ART WORLD "The Making Of" is the follow-up to international sensation Brecht Evens's Eisner-nominated debut, "The Wrong Place." With lush watercolors and his characteristic wit, Evens details the fumbling, amateurish foibles of the participants of a small art festival in the Flemish countryside. Pieterjan is i...(展开全部)

迈克尔·夏邦（Michael Chabon，1963年—），当代美国作家，被誉为“塞林格接班人”。1963年生于华盛顿特区犹太裔家庭，先后就读于卡内基梅隆大学和匹兹堡大学，并在加州大学欧文分校获得创意写作硕士学位。夏邦集普利策小说奖得主，星云、雨果、轨迹、侧面四项科幻大奖得主，好莱坞编剧于一身，曾任电影《蜘蛛侠2》与《异星战场》的编剧。 首部长篇小说《匹兹堡的秘密》（The Mysteries of Pittsburgh）创下当时新人小说作品预付版税纪录的新高，1988年出版后，在《纽约时报》排行榜上连续停留十二周。1992年，夏邦出版小说集《大千世界》（A Model World and Other Stories），收录了发表于《纽约客》等刊物上的短篇作品。随后《奇迹小子》（Wonder Boys）的出版，确立了夏邦在美国文坛的地位。2000年出...(展开全部)

GENTLEMEN OF THE ROAD is set in the Kingdom of Arran, in the Caucasus Mountains, between the Black Sea and the Caspian Sea, A.D. 950. It tells the tale of two wandering adventurers and unlikely soulmates, variously plying their trades as swords for hire, horse thieves and con artists - until fortune entangles them in the myriad schemes and battles that follow a bloody coup in t...(展开全部)

克里斯托弗·道森（Christopher Dawson, 1889-1970），英国当代著名的文化哲学家、历史学家、文化史学家和社会学家。代表著作有《神祇时代》《欧洲的形成：欧洲统一史导论》《理解欧洲》《世界历史的动力》等。道森以文化史、文化哲学、宗教哲学研究闻名于世， 横跨历史学、社会学、人类学等多个领域，是20世纪知识分子的典范。

克里斯托弗·道森（Christopher Dawson, 1889-1970），英国当代著名的文化哲学家、历史学家、文化史学家和社会学家。代表著作有《神祇时代》《欧洲的形成：欧洲统一史导论》《理解欧洲》《世界历史的动力》等。道森以文化史、文化哲学、宗教哲学研究闻名于世， 横跨历史学、社会学、人类学等多个领域，是20世纪知识分子的典范。

A systematic, critical examination of Karl Marx's social theories and their philosophical presuppositions. Through extensive discussions of the texts Jon Elster offers a balanced and detailed account of Marx's views that is at once sympathetic, undogmatic and rigorous. Equally importantly he tries to assess 'what is living and what is dead in the philosophy of Marx', using the ...(展开全部)

乔恩·埃尔斯特是著名哲学家和“分析马克思主义”流派的重要代表之一。他于1968年考入巴黎高等师范学院，师从著名学者雷蒙·阿隆，1971年获哲学博士学位。著有《莱布尼茨和资本主义精神的形成》、《逻辑与社会》、《尤利西斯与塞壬》、《酸葡萄》以及《解释的技术变革》

This study discusses basic questions about Rubens's art and life, studies two of his bacchic paintings in detail and describes him in a less easy and more identifiably modern predicament.

Reconsiders the concensus on Rubens as a successful, prolific, and facile court painter who is dwarfed by the achievements of his near-contemporary Rembrandt. This book scrutinizes the assumptions upon which this image is built, and discovers an artist involved with ambivalence and ambiguity.